![]() If you record a lot of things in stereo you won't have as much room to fit it all in the mix without doing some very creative sound carving. Typically you would choose to record a stereo track on things such as piano or guitar if you want to have a big open sound that crosses the complete sound stage. This is not to say you can't put stereo effects or "stereroizing" to make things bigger than life or fit the mood better. these will be stereo tracks panned wide or mono panned hard to get them out of the way for the predominate parts.You can also use eq and reverb/delay to push things back in the mix. Then think of the icing on the cake parts or soft bed background parts. These will typically be mono and placed by panning and EQuing strategically near the center but more alongside. ![]() Think of the next complimentary parts that you want more in the foreground of your sound stage. Continue reading to see what else you can do to improve your green computing. That will typically be mono and centered. Digital downloads are one part of the larger trend in making our lives - both professional and personal - cleaner, more efficient, and better. ![]() But as a starter I'll offer the following suggestions.įigure out what you want to be the focus of your mix, such as the lead vocal or instrument. ![]() It is too difficult to completely cover stereo panning techniques and theories in a single post. Since I only do audio only recording, I vastly prefer Samp. Samplitude, in my opinion, is such a wonderful audio program. After 10 or so years I still surprise myself on what I don't know. Giving something proper space and panning in a mix is for sure a talent to be learned, it takes much practice.
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